The Art of Anthony Peruzzo
Wednesday, August 5, 2015
Please visit AnthonyPeruzzo.com
I've discontinued this blog. Please see my updates at ANTHONYPERUZZO.COM
Thursday, September 26, 2013
Wednesday, November 16, 2011
Wednesday, October 26, 2011
Tuesday, October 25, 2011
Nightmare World: Frozen
Ok, it's been way too long between posts. I've recently started a rather demanding project that is eating up much of my reserve brain power. Anyway, I wanted to finish up with my NIGHTMARE WORLD art.
With NIGHTMARE WORLD VOL 3: Demon Days Dirk Manning gave me the opportunity to have TWO stories in the collection. He had already committed "Paranoid" to the volume (see last blog post) and approached me to "re-master" a story that had previously appeared on the web. That story was/is, FROZEN.
This was easily the most fun to draw. Who wouldn't want to draw barbarians chasing down mad wizards on top of a mountain?
You may notice I drew in the speech balloons right on the art. I had started doing this because computer lettering (specifically speech balloons) look so jarringly separate from the rest of the art. Some people are fine with this, but I think everything should look harmonious. If most of the art is drawn by hand, the balloons naturally should too.
Here are the two pieces colored:
If you want to read the whole thing, please pick up a copy of Nightmare World at the link above.
Thursday, October 6, 2011
Nightmare World Week(s): Paranoid
My next NIGHTMARE WORLD story was Paranoid. It took awhile for Dirk to convince me to do this story. The premise basically being a meeting between Bigfoot and the Lochness Monster. It sounded ridiculous and I guess that's the point. It was a humor story more than horror, so I had fun with it.
Many people have said my work is "cartoony" which I find a somewhat derogatory term when used in certain contexts. I think people are responding to my "exaggerations" which are used to help convey the emotions of the story or scene. With comedy, I tend to exaggerate features, anatomy, etc more for effect. Anyway here are some of the inkwash images I started with...
Dirk and I had many conversations about the color of this story. There are two scenes. One in the distant past, the other (concerning Bigfoot and his large companion) in the "present". Since Bigfoot and Nessie are fairly comical, my first instinct was to use a very colorful approach, and make the past scenes, more neutral. Dirk convinced me to switch the idea, since the "present day" is really after a holocaust of sorts. Here are some color versions along with the "cover" which is one of my favorite pieces I've done.
Please remember to purchase NIGHTMARE WORLD: DEMON DAYS, where you can read PARANOID in it's entirety.
Many people have said my work is "cartoony" which I find a somewhat derogatory term when used in certain contexts. I think people are responding to my "exaggerations" which are used to help convey the emotions of the story or scene. With comedy, I tend to exaggerate features, anatomy, etc more for effect. Anyway here are some of the inkwash images I started with...
Dirk and I had many conversations about the color of this story. There are two scenes. One in the distant past, the other (concerning Bigfoot and his large companion) in the "present". Since Bigfoot and Nessie are fairly comical, my first instinct was to use a very colorful approach, and make the past scenes, more neutral. Dirk convinced me to switch the idea, since the "present day" is really after a holocaust of sorts. Here are some color versions along with the "cover" which is one of my favorite pieces I've done.
Please remember to purchase NIGHTMARE WORLD: DEMON DAYS, where you can read PARANOID in it's entirety.
Wednesday, September 28, 2011
NIGHTMARE WORLD week: The Guns of Love Disastrous
My second collaboration with Dirk Manning on NIGHTMARE WORLD marked a real turn artistically for me. I had just started playing with ink washes, but had meager results with how to color them. Actually the results were pretty bad. But I'm stubborn and convinced myself I'd find a way to make it all work.
I'll show off some of my ink work first. I had done 2 previous projects with this technique, but I feel this page is what turned the lights on for me.
one of my favorite pages:
So you can see, I'm fairly comfortable pushing the ink around the page. I remember reading a trade paperback of Jason Aaron's SCALPED at the time. Colorist Giulia Brusco had done a fill in story, coloring beautiful ink washes. Inspired, I played around with some photoshop settings to try to mimic what she had done. I'm not sure if she has a similar process, but I found what I wanted....
Obviously I've modified my process since then, and I'd probably color it different now, but I still look at this project as a key moment in my development as a comic book artist.
Please remember to order a copy of NIGHTMARE WORLD VOL 3 DEMON DAYS due out next week (October 5th).
I'll show off some of my ink work first. I had done 2 previous projects with this technique, but I feel this page is what turned the lights on for me.
one of my favorite pages:
So you can see, I'm fairly comfortable pushing the ink around the page. I remember reading a trade paperback of Jason Aaron's SCALPED at the time. Colorist Giulia Brusco had done a fill in story, coloring beautiful ink washes. Inspired, I played around with some photoshop settings to try to mimic what she had done. I'm not sure if she has a similar process, but I found what I wanted....
Obviously I've modified my process since then, and I'd probably color it different now, but I still look at this project as a key moment in my development as a comic book artist.
Please remember to order a copy of NIGHTMARE WORLD VOL 3 DEMON DAYS due out next week (October 5th).
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